 |
|
|
|
|
|
|
|
 |
 |
 |
 |
 |
 |
 |
|
- Bow Stroke Introduction
- Pizzicato with bowing motion
- Developing correct motion of the arm
- Developing a flexible wrist
- Finger flexibility games
- Finger flexibility with a pencil
- Shadow Bowing
- Shadow Bowing on the Instrument
- Bow Stroke Basics
- The Bow Stroke Variables
- First Bow Stroke
- Making the First Sound
- Holding the Bow at the Balance Point
- Bow stroke - Violin and Viola
- Bow Stroke - Cello
- Bow Stroke - Bass French Bow
- Bow Stroke - Bass German Bow
- Changing Angle of the Bow Stroke
- Elbow Elevator
- Rolling and lifting the bow
- Lift and place the bow at the frog, middle, and tip
- Releasing weight at the end of the bow stroke
- Collé (piqué)
- Common sources of tension
- Doctoring up the frog and the bow
- Even bow speed
- Setting the bow properly before beginning the bow stroke
- Shifting weight when bowing
- Bowing rhythms on Twinkle
- Pinkie teeter totter game
- Holding the bow at the tip
- Ringing tone martelé stroke
- Circular Motion in the Bow Stroke
- Bow Stroke as Extension of the Body
Bow Stroke Introduction
Once the bow hold is established, then we can teach students how to move the bow through space. Before attempting to put the bow on the strings and make sound, it is a good idea to try some bowing away from the instrument.
PREV |1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 |12 |13 |14 | NEXT
Pedagogical Information
| The Instruments | Developing
Musicianship
| Books and Information | Home
Copyright © 1996-2010, Michael Hopkins. All Rights Reserved.
Copyright © 1996-2010, Michael Hopkins. All Rights Reserved.